Wednesday, 28 June 2017

COMING OF AGE







What is it for girls coming of age
Could it be captured on a single page?
The instinctual wisdom of a grand old sage
Held in a pubescent cage
A metamorphic body calmly riding with certainty
The vicissitudes of life with dignity
Learning gracious lessons of humility
Growing in assurity
And adding to innate intelligency
That’s a far cry for numeracy
Riding emotional waves with presidency
As she takes up her earthly residency
Whilst finding inner-peace in life
Amidst outer chaos and war-torn strife
Nothing like her has ever been before
No tale, No myth, No folklore
She’s here to open another door
Continue striding in love once more
Knowing all is perfect and there are no flaws
She’s simply a part of universal law
Who’s coming of age is to be adored.



Saturday, 17 June 2017

SONGS AND EMOTIONS




Music is a  phenomenon that crosses all borders of nationality, race, and culture. A tool for arousing emotions and feelings, music is far more powerful than language. An increased interest in how the brain processes musical emotion can be attributed to the way in which it is described as a “language of emotion” across cultures. Be it within films, concerts or a simple home stereo, music can be so evocative and overwhelming that it can only be described as standing halfway between thought and phenomenon.

But why exactly does this ecstasy of music distinctly transcend other sensory experiences? How is it able to perpetuate emotion in a way that is incomparable to any other sense?
Skilled composers manipulate the emotion within a song by knowing what their audience’s expectations are, and controlling when those expectations will (and will not) be met. This successful manipulation is what elicits the chills that are part of any moving song.
Music, though it appears to be similar to features of the Language, is more rooted in the primitive brain structures that are involved in motivation, reward, and emotion. Whether it is the first familiar notes of The Beatles’ “Yellow Submarine,” or the beats preceding AC/DC’s “Back in Black,” the brain synchronizes neural oscillators with the pulse of the music (through cerebellum activation), and starts to predict when the next strong beat will occur. The response to ‘groove’ is mainly unconscious; it is processed first through the cerebellum and amygdala rather than the frontal lobes.
Music involves subtle violations of timing and, because we know through experience that music is not threatening, these violations are ultimately identified by the frontal lobes as a source of pleasure. The expectation builds anticipation, which, when met, results in the reward reaction.
More than any other stimulus, music has the ability to conjure up images and feelings that need not necessarily be directly reflected in memory. The overall phenomenon still retains a certain level of mystery; the reasons behind the ‘thrill’ of listening to music is strongly tied in with various theories based on synesthesia.
When we are born, our brain has not yet differentiated itself into different components for different senses – this differentiation occurs much later in life.  The extent of this connection is seemingly variable among individuals, which is how certain musicians have the ability to create pieces of music which are brimming with emotional quality, and others simply cannot. Be it classics from the Beatles and The Carpenters or fiery riffs from Metallica and Led Zeppelin, the preference for a certain type of music has an effect on its very experience. It could be this heightened level of experience in certain people and musicians that allows them to imagine and create music that others simply cannot, painting their very own conceived image.


Sunday, 11 June 2017

Privacy in Public: Creating “MY Space”

 “My mom always uses the excuse about the internet being ‘public’ when she defends herself. It’s not like I do anything to be ashamed of, but a girl needs her privacy. I do journals so I can communicate with my friends. Not so my mother could catch up on the latest gossip of my life.” – Bly  Lauritano-Werner.

 For Lauritano-Werner, privacy is not about structural limitations to access; it is about being able to limit access through social conventions. This approach makes sense if you recognize that networked public makes it nearly impossible to have structurally enforced borders. However, this is not to say that teens do not also try to create structural barriers.

 Teens often fabricate key identifying information like name, age, and location to protect themselves. While parents groups often encourage this deception to protect teens from strangers, many teens actually engage in this practice to protect themselves from the watchful eye of parents.
Fabricating data does indeed make search more difficult, but the networked nature of MySpace provides alternate paths to finding people. First, few teens actually lie about what school they attend, although some choose not to list a school at all. Second, and more problematically, teens are not going to refuse connections to offline friends even though that makes them more easily locatable
Another common structural tactic involves the privacy settings. By choosing to make their profile private, teens are able to select who can see their content. This prevents unwanted parents from lurking, but it also means that peers cannot engage with them with some without inviting them to be Friends. To handle this, teens are often promiscuous with who they are willing to add as Friends on the site. By connecting to anyone who seems interesting, they gain control over the structure. Yet, this presents different problems because massive friending introduces a flood of content with no tools to manage it.

While deception and lockdown are two common structural solutions, teens often argue that MySpace should be recognized as myspace a space for teenagers to be teenagers. Adults typically view this attitude as preposterous because, as they see it, since the technology is public and teens are participating in a public way, they should have every right to view this content. This attitude often frustrates teenagers who argue that just because anyone can access the site doesn’t mean that everyone should.

In unmediated spaces, structural boundaries are assessed to determine who is in the audience and who is not. The decision to goof off during lunch is often made with the assumption that only peers bear witness. In mediated spaces, there are no structures to limit the audience; search collapses all virtual walls. Most people believe that security through obscurity will serve as a functional barrier online. 

It is easy to lambaste teens for accepting the cultural norms of the ‘in’ crowd, but social categories and status negotiation are core elements in teen life; this is part of how they learn to work through the cultural practices and legal rules that govern society. On MySpace, teens are directly faced with peer pressure and the need to conform to what is seen to be cool. Worse, they are faced with it in the most public setting possible – one that is potentially visible to all peers and all adults.

Teens are not necessarily well-prepared to navigate complex social worlds with invisible audiences, but neither are adults. While MySpace is public, it is unlike other publics that adults commonly face. This presents a generational divide that is further complicated by adults’ mis-readings of youth participation in new media.

Saturday, 3 June 2017

TEENS AND FASHION

    


Adolescents undoubtedly are a unpredictable bunch. At that stage of physical and psychological progress, they are consistently using things to improve their particular appearance. Teenage jewellery fashion performs a major part with the development of their own identity along with efforts to possibly blend in with everyone else or establish their own persona. Virtually any parental endorsement of fashion accents is quite like the kiss of death, and youth turn to different influences in terms of teenage jewellery fashion.

The celebs that teens look at in music clips, television shows as well as motion picture screens usually are largely accountable for dictating developments throughout teenager jewellery fashion. The extra-large, ostentatious accouterments used often by rap musicians have created the hip hop jewellery trend, and teens have already been using lower-priced nonetheless precise replicas of celebrity bling bling. Rather than the diamonds and other precious gemstones used in superstar jewellery, more affordable zirconium and base metals are used for copies. Body jewellery (both the pierced in addition to non-pierced varieties) which is unusually tailored and produced by using low-cost materials has additionally seen a growth in teenage patrons.

Beaded jewellery plus woven friendship anklet bracelets and rings are a couple of the different popular trends in teenage jewellery style. Countless teenagers create these clothing accessories by themselves and present them to buddies as presents. They are tailored using beads that have the characters of the recipient's name in it are designed into the weaved materials. Many teens also wear certain kinds of jewellery to distinguish them within a clique or circle. Some of these could take the shape of uniquely designed pendants, rings or perhaps charms that contain spiritual or mystical overtones.

Feminine teenage jewellery fashion designs are usually influenced largely by teen celebrities nowadays. Items put on by teen celebrities, for example Hilary Duff's slave bracelets; happen to be copied by her non-celebrity counterparts. Even so, unique styles remain widely loved by this list of young individuals. Gold or silver plated jewellery and jewellery containing gem stones has not lost its following among teenagers.

Several masculine teen jewellery fashion trends, on the flip side, have a tendency to lean more toward bead-work, silver-work, leather-work, along with unconventional stones. Teen guys apparently feel that sporty-looking accessories, such as so-called surfer-dude bracelets and arm bands made from bone fragments, solid wood, as well as shell beads using a rubber or leather wire are cool. Stainless steel jewellery is usually popular with these individuals.

Jewellery has been utilized by everyone throughout history as marks of splendour in order to denote social standing. Young people are not immune to these types of habits; the truth is they are most likely much more prone to them because of their need to be able to concurrently conform and be noticeable. Teenage jewellery fashion is part of their social system as well as a tool in the development progression.

SIGNS OF MATURITY IN TEENS Intellectually, teens today are exposed to and consume more information than earlier generations. In ma...